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©Julian Calverley/UK, 2013

©Julian Calverley/UK, 2013

ALPA 12 PLUS 

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The ALPA 12 PLUS, ideal for traveling, comes with a protected fixed frame and does not protrude when moving. The camera provides several hardpoints with full ALPA accessory Interface (3/8″ on the body, 1/4″ on both standards). The ALPA Plus features horizontal and vertical movement that is achieved via sophisticated linear guides and a smooth-running mechanism that can be blocked if needed.
The standards are equipped with shock absorbers in all directions to prevent accidental decoupling and fall of the lens or the digital back. The body can be used in any position (rotated 90°) and positioned optimally depending on the photographic task with four individually adjustable circular bubble levels.
The shift guides made of brass with click stops that can easily be replaced by the user.

 

ALPA 12 TCALPA 12 TC | THE TRAVEL COMPACT

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This is the ideal camera for travelling (Travel Compact). As small and as light as possible, while offering full integration into the modular ALPA 12 camera platform. All current digital backs fit the ALPA 12 TC with the correct adapter. The more traditionally inclined can also make use of roll film backs up to a format of 6×9 cm – which allows truly ‘unplugged’ operation. All lenses with an ALPA adapter fit the ALPA 12 TC and all other ALPA 12 cameras. The ALPA lens adapter is available in different versions: ‘long barrel’, ‘short barrel 17 mm’ and ‘short barrel 34 mm’; adapters are also available with and without an integrated tilt/swing option. One alternative for a viewfinder is the iPhone, which was used for this purpose for the very first time by ALPA. Or the classic optical ALPA 120° viewfinder. Or a number of products from third-party manufacturers. The ALPA 12 TC is the right choice for the creative photographer who likes to travel light, who likes to have full manual control of his or her camera at all times and who is looking for a style and a quality which are practically impossible to find in large-scale produced cameras.

ALPA 12 STCALPA 12 STC | THE SHIFT TRAVEL COMPACT

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The ALPA 12 STC (Shift Travel Compact) sets the standard for very compact and light cameras with an integrated shift (perspective correction). The STC thus also offers a stitching function and a corresponding multiplication of the number of pixels for one shot. A lateral lens shift is turned into a rise or fall option by a simple rotation of the camera by 90°. All ALPA cameras provide such surprising rotational and reversal positions which e.g. turn front to back, top to bottom or horizontal to vertical. Typically for ALPA, we do not even have to list all the variants – most of our customers like to work out their own special combinations for their particular practical purpose. They – and we – have no time for ‘one size fits all’. Once again: There could hardly be a bigger difference from mass-produced solutions. From a design aspect, the STC, like all ALPA cameras with an integrated shift, offers one feature that no other camera manufacturer does: all shift movements take place over the full length of movement on roller bearings – not the cheapest solution, but certainly the most precise.

ALPA 12 WAALPA 12 WA | HANDY PERFECTION

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One ALPA 12 model has found special favour with reportage photographers and other extreme photo reporters. It is even used under the hard conditions war reporters often find themselves in. It is the ALPA 12 WA (Wide Angle). Its main qualities include a reduction to what is absolutely necessary, the great sturdiness this requires and optimum handling thanks to the two hand grips. ‘Magnum’ members count among its users and ‘Newsweek’ titles as its results. The ALPA 12 WA is naturally also capable of full integration in the modular ALPA 12 camera platform. The user is thus able, for example, to return from a project in a tropical rain forest using a roll film back and without any need for electric power and can then almost immediately use the same camera with a digital back for a landscape photography commission. A careful combination of equipment will also allow him or her to do all this using exactly the same lenses and many identical accessories. This particularly exemplifies the sense and the purpose of the integrated ALPA 12 platform.

ALPA 12 SWAALPA 12 SWA | THE PROVEN CLASSIC

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The ALPA 12 SWA (Shift Wide Angle) was the first model in the ALPA 12 medium format camera series. First only with roll film backs and later, not least thanks to its superior precision and extremely tight tolerances, also with digital backs. It is physical confirmation of ALPA’s philosophy of no artificial obsolescence, no change for change’s sake. Fully integrated into the modular ALPA 12 platform, the ALPA 12 SWA represents an interesting option in particular for architectural but also for landscape photography: shift (perspective correction) is integrated into the camera – in the most frequently used direction of vertically upward. If the ALPA 12 SWA is turned on its head, downward shift is achieved. This rotation can be done by hand or using an additional adapter on a tripod. When digital backs are used, the same effect can also be achieved by a simple swapping of the lens with the back. This allows to achieve our design goals of reliability, precision, versatility and simplicity in equal measure.

ALPA 12 MAXALPA 12 MAX | THE UNSURPASSED & VERSATILE ORIGINAL

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Imitation is said to be the highest form of flattery. Perhaps that is why there are cameras which look similar to the ALPA 12 MAX. However, similarity does not make a copy into an original, but only into a possibly false promise. The ALPA 12 MAX is intended predominantly as a tripod camera; however, it is also just small and light enough also to be used as a hand-held camera. Its versatility is in particular demonstrated by a glance at the work of some of our customers on our website. The ALPA 12 MAX offers extensive shift options (perspective control) in vertical and horizontal directions simultaneously, without the lens being moved and without unwanted stereoscopic effects arising. Further fascinating photographic options are also available using the different ALPA tilt/swing adapters or simply software solutions. Stability, an ideal weight, a convenient size and very high precision combine in the ALPA 12 MAX to produce practical versatility at the highest possible level.

ALPA 12 XYALPA 12 XY | THE ULTIMATE IN MOVEMENTS

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The ALPA 12 XY (X and Y stand for the two shift movements in x and y axis) is a camera for use on the tripod simply due to its size and weight. These properties are highly desirable there for reasons of stability. This in particular applies when very large movements (shift) have to be accompanied by very precise guidance for multiple stitching. These are all demands which the qualities of the ALPA 12 XY meet in full. For instance in the Bibliothèque nationale de France (National Library of France), Paris, where these cameras are used for the most demanding photographic reproduction work. The special features of the ALPA 12 XY are, however, also used and admired by the world’s leading photographers of automobiles, architecture and landscapes. The ALPA 12 XY is a large piece of equipment designed for professional use for many years. The ALPA 12 XY naturally has those special features you will look for in vain elsewhere: for example, both shift carriages never move beyond the closed camera frame in any position, all shift movements are guided solely by roller bearings, and adapters for digital backs can be adjusted to the precision of one-hundredth of a millimeter.

ALPA 12 FPSALPA 12 FPS | FOCAL PLANE SHUTTER

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The ALPA 12 FPS (focal plane shutter) opens the door into a new dimension: from the modular camera platform to the open toolbox. The ALPA 12 FPS is a shutter module when it is used together with another ALPA 12 camera. It is, however, also an independent camera when it is combined on its own with a back, a lens and a suitable adapter. This opens up the use of brand-new or fond old lenses from dozens of different manufacturers of optical systems – with or without a central shutter and with or without manual or electronic aperture control. Plus a free choice of format – only limited by the image circles of the lenses and by the sensor sizes. Naturally, not all lenses will work equally well with all backs. However, what is ‘good’ and what is ‘less good’ is a decision solely for the photographer or, if he or she is working according to a commission, naturally also for the customer. We see a new attitude toward many aspects of picture quality in this: away from the unedifying factionalism and toward the acceptance of subjective opinions and evaluations.

The ALPA 12 FPS opens up the field of shift/tilt/swing/stitch in a wide range of variants and with the corresponding accessories to a whole new world which had previously hardly been possible, if at all. The whole system is controlled by a continuously expandable firmware in a concept which includes all previous ALPA 12 models, many lenses and almost all digital backs produced in the past ten years. A previously unknown variety of possibilities and combinations is opened up – a toolbox which the user can equip and utilize according to his or her own needs or while using already existing tools.